This is an easy trap to fall into, but it’s also easy to avoid.
Sometimes even the smallest changes to the chord progression can have a MASSIVE impact on the production.
If I could give you ONE piece of audio advice, this would be it.
I tried to create a note-for-note copy of a Johnny Cash tune. Here’s how it turned out, and here are the lessons I learned.
When using busses, do you adjust volume at the bus fader, the channel fader, or somewhere else?
Sometimes a good visual lesson helps us hear things better. Today we take a look at what compression looks like in the waveform.
Do you know the difference between 50 and 100 Hz? Take the test and see.
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